Meštrović - the retrospective is the biggest exhibition of this artist in the last 40 years. We wanted to bring Meštrović closer to the young population, so we designed the exhibition space and graphics in an innovative way, whereby the yellow color that will dominate the design is a kind of accent, i.e. a warning for a work that should be stopped by, that is worth a closer look and study.

The Museum of Bećarac was a four-year project and a big challenge for us. The museum is dedicated to Bećarac - a Slavonian folk song consisting of two ten-verse verses. Bećarac is on the UNESCO list of protected intangible heritage.

The Exhibition of Croatian Design is the largest design event in Croatia. It takes place every two years and presents and awards the best design projects. We designed this exhibition - from the first call for applications, promotional materials, the exhibition itself, awards and the exhibiton catalogue.

The traveling exhibition "The Euro on Wheels" is a special educational project as part of the informative campaign for replacing the Croatian kuna with the euro, which is being carried out by the Government and the Croatian National Bank, with co-financing from the European Union. The exhibition was held in 27 Croatian cities, and multimedia content and 'euro experts' provided visitors with all the relevant information about the introduction of the euro as an official currency.

On Dugi otok, within the protected area of ​​the Telašćica Nature Park, the Grpašćak Interpretation and Education Center was opened.

In the Velebit Nature Park, at the foot of the entrance to the Cerovac Caves, there is a newly opened visitor research center. Along the center there are access promenades and paths in caves. Our task was to design and supervise the performance of visual identity, signaling and interpretive graphics.

With the help of traditional and new media, the exhibition presents the original appearance of two Zagreb buildings that have been designed as 'total design' works in the spirit of the aesthetics of the Vienna Workshops.

Subject: Croatian is an exhibition that deals with all aspects of teaching Croatian as a mother tongue, illuminating its external and internal history.

At a height of 922 meters lies the Poklon Visitor Centre of the Učka Nature Park. The Centre summarizes the experiences of Učka interactively, stimulating all five senses on an exhibition spanning 1,200 square meters.
The isohypsis motif dominates the Centre not only visually, but also thematically. The exhibition is divided into six layers and designed so that visitors get to know Učka and Ćićarija layer by layer - from the underground of the mountain to the view from the highest peak.

A large retrospective exhibition of one of the most important Croatian graphic designers, Milan Vulpe, where as many as eight hundred selected works of this prominent pioneer of Croatian design were exhibited.

Special concept of showcasing in the centre of Zagreb through lightshow installation which highlighted vehicle dynamic by changing the installation look from day to night view.

1880 was the foundation year of Museum of Arts and Crafts in Zagreb. This was the same year Zagreb was struck by a great earthquake. In 2020 museum is celebrating 140th anniversary and Zagreb is struck by an earthquake again. 'Shaken MUO' is an exhibition about the two earthquakes and the damage made to the museum. Exhibition is placed in the most ruined halls of the museum.

Tarra Panonica is an interpretation centre focused on physical and virtual presentation of flora and fauna of today, and prehistory to the Slavonian public.

The Visitor Centre is housed in the old building of a former lodge. The main topic is the interpretation of nature and the location where two rivers – Mura and Drava – intersect.

The exhibition displays interactive mechanical and multimedia content and illustrations presenting the natural phenomena and cultural heritage of Međimurje. The scenography of the exhibition is set to present a stylized landscape of the course of the river, whose parts function as interpretative exhibits.

We're working with Klović dvori Gallery for several years now. We mostly design graphic design for temporary exhibitions and advertising.

Interpretational elements are primarily intended for children, and the design interprets and follows various stylized forms from the everyday life of the Neanderthals. Each object calls for interaction with visitors inviting them to discover the content and learn from experience. Visitors can discover many interesting details about a particular topic by using their movements, which emphasizes the importance of physical presence at the location.

Klović Dvori Gallery, Zagreb and Bukovac House, Cavtat organised first of three Vlaho Bukovac exhibitions. Intention is to present three most prominent periods in Bukovac's work: Parisian, Zagreb and Prague period.

The Challenge of Modernism, Zagreb and Vienna around 1900, an exhibition from the Klovićevi dvori Gallery in Zagreb, was opened in the famous Belvedere museum in Vienna. The exhibition showcases the most important works of Croatian art on the turn of the 20th century. Our task was to design the exhibition with 130 exhibits and emphasize the connections and similarities between the works of Croatian and Viennese artists.

Finest of Croatia is the biggest Croatian duty free shop opened in the new Dubrovnik airport. In collaboration with the lead architect Lea Đurović Ruso, CEO of ProtoArch, we designed the visual identity and signage.

Azulejos – The Art of Portuguese Ceramic Tiles was an exhibition in the Museum of Arts and Crafts. It presented 11 panels of 18th century tiles which decorated the walls of the Croatian Embassy in Lisbon.

The Magnificent Vranyczanys is an ambitious and big exhibtion which on a 1000 square meter area follows the 600-year history of the noble Vranyczany family.

The exhibition about the 45 year old history of the Jabuka Club. The club connects many generations and each person has unique emotions and experiences, and we used the fact the club hasn’t changed much since it opened. Every room in the exhibition shows a different time period, and each room contains the same stylized bar to emphasize that while people change, Jabuka remains the same. To further emphasize the club’s character, the whole exhibition is made up from 540 colored beer cases.

A Palace and a Museum is an exhibition at the Archaeological Museum in Zagreb. The exhibition simultaneously follows the history of the museum and the history of the palace on Zrinjevac Square, where it has been located since 1945. The exhibition was designed so the audience follows two ribbons, one which follows the history of the museum, and the other which follows the history of the palace. Both ribbons start out at the entrance to the museum and serve as a distinctive spatial marker. The ribbons enter the museum and lead the visitors to the exhibition space, where they separate into smaller threads and lead to separate exhibits. The visitors are guided through the exhibition via a real spatial timeline.

Industrial and stage designer Ivan Veljača started a brand named Fabruary. Our goal was to design the visual identity and leaflets for his stand at D-Day market in 2010.  We made an “envelope” around the stand made out of posters. The posters were perforated so every poster contained fifty flyers. As visitors tore the flyers off “the wall”, the contents of the stand were revealed.

The exhibition in honour of one of Croatia’s best graphic designers, Vanja Cuculić, is designe

which is divided into rooms of the stylized apartment, in order to bring them closer to the audience and to emphasize the omnipresence of design in everyday life.

The exhibition El Shatt is about the exile of Croats in the Egyptian desert during World War II.  The graphic materials at the exhibition are printed on big canvasses held by ropes to clearly refer to the tents in which the refugees lived. In order to better present the uncomfortable living conditions in the Egyptian desert, the covers are made from emery paper, so even the reader’s first contact with the catalogue starts to tell the tale of exile and difficult living conditions.